Not all of the colors in your correct seasonal palette will be your absolute favorites.
Depending on your depth of coloring, your level of contrast, and the specific colors of your body, some will be more useful to you than others, and in different ways.
A dark-skinned Winter, for example, might use black as an accent, while a fair-skinned Winter might wear it in large blocks.
But no color in your palette will be awful on you. The colors in your palette are all harmonious with each other, and if it's your proper palette, they'll all be harmonious with you too.
So for those of you still searching for your season, I give you colors that are seasonal deal-breakers.
If the given color absolutely doesn't work for you, the deal's off. Move this season to the end of the list.
You can't use this list to identify your single best season. But you can use it to rule seasons out.
If you can't rock hot pink, rule out Bright Spring.
Bright Spring has a handful of pinks in this general vicinity. You may not associate pink with Spring. But moving Spring reds toward Winter means making them both darker and brighter. Reds that are both deep and very bright are purple-reds. So in Bright Spring, we find hot pinks.
If you think you're a Spring but hot pink is no good for you, True Spring may be your home.
If you're not fabulous in lime green, rule out Bright Winter.
Taking True Winter's greens lighter and brighter, all the way into Bright Winter, moves them toward yellow. One of the results is a sort of fluorescent lime. On Bright Winters, this color is amazing. It contrasts beautifully with both very dark and very light skin.
If this color's not right for you, but you think you're a Winter, try Dark Winter next.
If you can't wear clear lemon yellow, rule out True Winter.
Be careful applying this one. I'm not talking about a golden yellow, or a pastel yellow, or a yellow-orange. True Winter's few yellows don't show a bit of brown or orange or grey. They're the pure, clear complements of TW's vivid sapphire blues.
If you need a more moderated yellow that's still vivid, try Dark Winter.
If you don't look great in mint green, rule out True Summer.
A handful of the seasons have some sort of mint. True Summer's is not a pure, saturated mint that's close to aqua. Instead it's a delicate and slightly hazy mint. It's lovely with a delicate fuchsia lip.
If this feels all wrong to you, perhaps vivid mint is beter? You might be a Winter.
If you wouldn't call your good yellow "goldenrod," rule out Dark Winter.
Dark Winter yellows are tricky. They're not clear and pure like True Winter's. They're not blindingly bright. They're just slightly warmed, a little rich - but not Autumn rich. Penelope Cruz is lovely here in what looks like one of Dark Winter's elusive yellows.
If you need your yellows purer, try one of the other Winters. And if you need a more delicate yellow, try one of the Summers.
If you can't wear this medium warmed violet, rule out Dark Autumn.
This Dark Autumn color always surprises me. Call it orchid or begonia perhaps. It's not a color I would label Dark Autumn if I saw it in a pile of a hundred other colors. Yet it's gorgeous with the intense dark olives and vivid teals of the season.
Dark Autumn Natalie Portman's been photographed in three or four dresses in something like this color. They're all great on her. If it's not great on you, perhaps try True Autumn or Bright Spring.
If a light olive-khaki is not a good neutral for you, rule out Light Spring.
Was it Christine Scaman who said Light Spring colors are popsicle colors? It's true. But every season has neutrals, of course. This unusual Light Spring color is like your usual khaki, but with a suggestion of green and gold. On a Light Spring, it may pick up tones in the eye or hair.
If this color's a no-go on you, perhaps look at Light Summer instead.
If you're not flattered by light pinky coral, rule out Light Summer.
Light Summer doesn't get very warm, but in the pinks it does go as far as a pinky coral. It's a bit pinker than what you see here, but still warmish. On a Light Summer it picks up healthy color in the face.
If you think you're a Summer but can't wear this light, delicate, warm tone, look at True Summer.
If you're not beautiful in bright blue, rule out True Spring.
True Spring's colors are Crayola colors. You can see them in this picture of Nicole Kidman: blue dress, yellow hair, red-orange lips. In these simple primaries, True Spring is gorgeous.
If you struggle to articulate the names of your best colors, they're not True Spring's. You might consider Summer or Autumn.
If rich burgundy isn't gorgeous on you, rule out True Autumn.
True Autumn has a few beautiful burgundies that go beautifully with the rich greens and oranges of the season. You can see all those colors here, in Noa Tishby's face.
Those burgundies make good lippies too.
If this burgundy overwhelms you, try something from Soft Autumn.
If you're not lovely in cocoa brown, rule out Soft Summer
This is not a warm golden brown or a milk chocolate brown. If you're a Summer, none of those browns will work for you. Browns are generally bad for Summers, as a rule. But if you're a Soft Summer, you will be lovely in cocoa brown. It's a brown that looks both slightly greyed and slightly purpled. It may pick up tones in your hair.
If this color just isn't right for you, try True Summer next.
If you can't do dusty medium blue, you're not a Soft Autumn.
This blue feels both rich and muted, and quite medium - neiher purpley nor greenish. I's similar to the color you get if you Google "French blue."
Though it's a subtle color, on Soft Autumn skin it's just as powerful as it needs to be. Notice how rich it looks on Natascha McElhone.
If you need a blue that's much richer than this, you might try a Winter or a Spring.
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For any of these seasons, Google the season's name in quotes to see images of the palette. Images that say "Sci/Art" are usually quite accurate. Or order sheets of color from all 12 seasons to try the seasons out in person.
As always, I hope this helps you find your correct season. :-)
This post first ran in April of 2013.