Once we turn the corner from July into August, I start to think about summer ending, and I feel a little bummed. Maybe you feel that way too.
To cheer us all up, I'm discounting makeup lists 20% this week. :-)
From now through August 19th, use the code SUMMERMAKEUP to get 20% off of your seasonal makeup list.
Remember -- use SUMMERMAKEUP to get 20% off, this week only!
A version of this post was published in September 2012.
I have an adorable memory of watching a video of Adele performing "Rolling in the Deep" seated next to my then-three-year-old son. He listened very carefully. When it was done, he turned to me and said, quite solemn, "Mommy, that lady has a fire in her heart."
A reader, C.T., asked me what season I believe Adele is. She pointed out that Adele's often in black but it's clearly not her best color. I have to agree.
Certainly this look is not right for her. The woman is invisible; we only see the too-bright color.
Yet she often gets her makeup right, don't you find? With the exception of the too-black eyeliner and mascara that are sadly de rigeur in show business, her lip and cheek are often natural and not overdone.
Those lip and cheek colors lean warm, to my eye, and are definitely subtle and blended rather than bright or contrasting. Her coloring is so very delicate. The black of the dress and the eye does not belong.
Here, again, eye and top are darker than she is, but not as painfully so. The rest is lovely. I see Autumn - don't you? Warm, blended, rich.
Could she be a True Autunm? Hmm. These very warm colors look, to me, a tad stronger than she is.
I find this warm, deep green, which could be True or Dark Autumn's green, just a tad too much for her.
She really is very neutral. The pink in those lips is actually pink, not salmon.
I think Soft Autumn. Here she is in more SA colors and I think they balance her wonderfully. Gentle, soft, blended, not overdone. We really see her.
I'm calling Adele a beautiful, soulful, Soft Autumn.
ere's hoping that one day she chooses to exchange the black eyeliner for, say, taupe or putty.
What color season do you see here?
...says reader D.C.
She seeks help determining her season, and also wonders whether she should make her hair darker or lighter.
When a woman tells me she hates her natural color, I immediately suspect she's a muted season - i.e., a Summer or an Autumn. Those are the seasons whose colors are in-between, hard to describe, often nameless. We think with language; I believe we dislike in-between colors in ourselves because we don't have the language to conceptualize them.
Here's the thing: If you think your hair is "blah," chances are the rest of your coloring is similarly subtle and blended. Putting Crayola-colored hair next to your blended skin will only make you disappear.
Keep your hair as muted as your skin, and surround the whole vision with similarly quiet colors, and watch everything suddenly come into focus.
Your natural hair color flatters you more than any other color can, and its subtle beauty is always revealed when it's placed in the context of your best colors.
Compare Lady Gaga in unnatural hair colors, on the left, to Lady Gaga in something more like her natural hair color on the right.
Which of these ^ women looks the most healthy? Which looks the most comfortable in her skin? Which looks the most confident? Which woman isn't afraid to be real with you?
Unnatural hair color is a look, for sure. It makes a statement. But it may not be the statement you want to make.
Natural hair color says, "See ME. This is who I am. I know myself and I like myself. I am not afraid and I don't want to hide from you."
That kind of power and presence isn't blah; it's beautiful.
Original version published September 2015.
If you're into perfume, chances are you have checked out my fragrance guides. Each guide describes the best fragrances for your style type.
You may have wondered, though, whether you should be even more selective about your fragrance, coordinating it not just with your style type but with your color season.
Now, I do believe the interaction between color season and style ID is somewhat variable: for example, an Ethereal Gamine who is a Bright Winter might choose to manifest more Gamine (vivid primaries!) in her palette, while an Ethereal Gamine who is a Soft Summer might reflect more Ethereal (sunrise and sunset hues!) in her palette.
But I believe that, in general, your perfume profile is more useful if you keep it consistent with your style type, not your color season. My reasoning for this is as follows: your seasonal palette is already being strongly communicated to the eye of the viewer; color's the first thing we notice, right? So I feel an appropriate role for your fragrance is to reinforce the secondary message of the style type that's being communicated through your lines.
Having said that... If you own your style type's fragrance guide, and you really want to bring your color season into your fragrances, I'll list some specific fragrance notes you may consider looking for. Perhaps start with a fragrance family recommended for your style type, and search within that family for fragrances containing these notes.
To bring Bright Spring into a fragrance, try adding:
To bring True/Warm Spring into a fragrance, try adding:
To bring Light Spring into a fragrance, try adding:
To bring Light Summer into a fragrance, try adding:
To bring True/Cool Summer into a fragrance, try adding:
To bring Soft Summer into a fragrance, try adding:
To bring Soft Autumn into a fragrance, try adding:
To bring True/Warm Autumn into a fragrance, try adding:
To bring Dark Autumn into a fragrance, try adding:
To bring Dark Winter into a fragrance, try adding:
To bring True Winter into a fragrance, try adding:
To bring Bright Winter into a fragrance, try adding:
For the essential fragrance notes and fragrance families recommended for your style type, check out your Fragrance Guide.
To search for fragrances by specific notes, try these sites:
The Perfumed Court
If you're not sure of your style type, try the Style ID Calculator, or consider a virtual style analysis. If you're not sure of your color season, try At-Home Draping Cards.
If you've benefited from personal color analysis or personal style analysis, you know from experience that it's truly a gift that keeps giving.
Years after my own color and style analyses, I get dressed with confidence literally every single morning. <3
It's hard to put a price on that!
If you need a last-minute holiday gift for your sister or sister-in-law, your mom, your niece, a cousin, a aunt, a best friend, or a co-worker, a Truth is Beauty Gift Card is a thoughtful and unique gift that may well change a woman's life.
For a woman who's color-confused, a $25 or $50 gift card will buy her the Six Season or 12 Season Home Draping Card Set so she can drape herself.
For a woman who already knows her color season, a $40 gift card gifts her with her very own season in 40 jumbo-sized sheets.
For a woman who struggles to know her own style, the $15 gift card will let her buy the the perennially popular Style Identity Calculator.
The woman who already knows her own style will enjoy the $20 or $30 gift card, which will give her access to documents for her style type.
To really treat someone you care about, try the $100 gift card, which buys the Style Identity Calculator and the full suite of documents for one's style type.
Or the $110 gift card, which covers home draping cards, a seasonal color palette, and a seasonal makeup list.
Happy holidays, dear ladies. I'm grateful to be a part of your lives, and to have you in mine. :-) <3
Note: f you'd like to treat someone you love to a Virtual Style Analysis, please contact me directly at email@example.com.
Many of you will be very happy to see me continue my series of posts about the word clouds I've made from products in the seasonal makeup lists. :-) I apologize for the delay!
To orient those just joining us, there are 12 color seasons, each with its own palette of colors that exist at precise points on each of these three spectra:
light ............................... dark
Light Summer is a color season. Its colors are mostly cool-toned, a bit faded, and very light.
The Light Summer seasonal makeup list has hundreds of products that have been precisely matched to the Light Summer color palette. (Because a Light Summer's perfect makeup is makeup that matches those colors.)
Since the products on the list all occupy a small, defined area in color space, one tends to see the same color names over and over.
Here's what happens when I feed all of the color names from the Light Summer makeup list into a word cloud generator. The size of the word represents how freqently the word appears in the list.
Pink! Wow. Pink is important for Light Summer.
That makes sense if you think about it; pink is technically just light, cool red, and Light Summer is a light, cool palette. Light Summer's "oranges" are peachy pinks, and Light Summer's "reds" are deep pinks.
"Rose" is basically a synonym for pink, so it makes sense to see it feature so prominently in Light Summer's makeup word cloud.
The importance of "brown" in Light Summer makeup reflects the fact that, for deep neutrals (like we typically use in eyeshadow and eyeliner), Light Summer will never get black or charcoal. It's just too light a season. Brown and grey are the neutrals that lighter seasons rely on in makeup.
Light Summer's browns will always be cool browns: pinkish browns or purplish browns or greyish browns or silvery browns. You'll see words like "cocoa," "mink," "taupe," and "stone" use to describe these cool browns.
In the background of the word cloud, we have many more forms of pink: fuchsia, watermelon, cherry, berry, and raspberry. We also see coral, which is a peachy pink; Light Summer borders light and warm Light Spring, and has a hint of warmth. (Light Summers, but not True Summers, look gorgeous in a buttery yellow.)
If you have cool undertones, and you see the makeup that flatters you reflected in this word cloud, you may be a Light Summer.
If you're not sure which of the 12 color seasons is your perfect fit, consider trying the home draping cards. They're precisely matched to original Sci/Art colors, the gold standard of seasonal color palettes.
Yes, I know I'm late to this party! But I don't have network TV, and I have two kids. I'm just now catching up with the rest of the world TV-wise.
Anyway, here are the color seasons of several of the actors on Mad Men, as best I can tell.
Elisabeth Moss: True Summer
Her best colors aren't particularly dark, but they're very cool. Soft Summer is also a possibility for her, but what really convinced me of True Summer was seeing how pink her lipstick can get. The pinker it is, the prettier she looks. Most seasons can't wear those super-pink lippies.
Jon Hamm: Dark Winter
His best colors are certainly cool, and quite dark. They're not vivid enough to be Bright Winter colors, and they have the "sooty" quality (as Christine Scaman puts it) that characterizes Dark Winter colors.
January Jones: Light Spring
Her best colors are warm, clear, and rather light and delicate. I don't think True Spring is impossible for her, but I think it's unlikely; it's telling to me that her very worst colors are dark (remember when Betty dyed her hair black?) I also find some colors to be too clear and warm for her; pure orange and bright red are not great.
Jessica Pare: Bright Spring
This woman was obviously a Bright from her first moment on screen. I decided on Bright Spring rather than Bright Winter because so many warm, clear colors are glorious on her, and because too-cool colors can make her look a bit goth.
I love how often she's costumed in her best colors. It's a joy to behold.
Linda Cardellini: True Winter
What a gorgeous example of a True Winter. The way black, white and grey make this skin look amazing -- it's just beautiful.
Although I know it will disappoint some people, I have to say that I can't accurately type Christina Hendricks. :-(
You might be thinking, "She's obviously a Bright, or a True Spring!" But don't let yourself get distracted by the colors she's costumed in as Joan -- they're generally very bright colors, but they're also brighter than she is.
Your best colors should let us see you; Joan's colors force us to just see lips, hair, and curves.
Which is probably the point.: the colors make her into a cartoon.
I suspect that, IRL, Christina Hendricks is probably a Soft Autumn, or just maybe a True Autumn; warmth seems to be good for her, but she needs less saturation than she's given on Mad Men.
What do you think? Any ideas about Christina Hendricks' color season? Do you think I've missed the mark on any of the other characters? Let me know!
I've been making word clouds from the color names on my seasonal makeup lists, to see what color words occur most frequently in the makeup for each season.
This week, I've done Bright Winter.
The Bright Winter Makeup List gives the names of several hundred products that have been matched to color swatches from the Bright Winter palette.
If you're a Bright Winter, your perfect makeup colors come from the colors in the Bright Winter palette.
Let's see those makeup color names!
Wow -- a lot of pink! And red, and cherry, and fuchsia. Pink is a light, cool red; cherry is a dark, cool red; fuchsia is a red so cool it's almost purple. Cool red tones dominate here.
Compare this word cloud to Dark Winter's:
In Dark Winter's cloud, on the right, the combination of plum + purple + wine is, to me, quintessentially Dark Winter, and really distinguishes DW's makeup color's from Bright Winter's.
Overall, Bright Winter colors feel lighter and brighter, as they should: both Winter seasons are rather dark, vivid, and cool, but Dark Winter is particularly dark, and BRight Winter is particularly vivid.
Let's compare Bright Winter makeup to Bright Spring:
Both seasons prominently feature pink. But coral is essential for Bright Spring makeup, on the right, while it plays a relatively minor role for Bright Winter. That makes sense: coral is a warm, light red or orange. Bright Winter does have some warmer colors, and coral-y tones are among them, but they don't predominate.
Notice also how relatively important black is for Bright Winter as opposed to Bright Spring. The Bright Spring palette has a black, but black usually won't feature prominently on a beautifully made-up Bright Spring face -- it's just not a defining color of that warm, bright, joyful palette.
Bright Winter, on the other hand, can be gorgeous with black mascara, black liner, and even (for certain women) blackish brows and eyeshadow. The overall palette is deeper and more dramatic.
If you suspect you're a Bright Winter, the makeup list is a great resource. If you're not sure of your personal color season, try affordable at-home draping.